top 5 tracks by dylan
- girl out of time
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top 5 tracks by dylan
-it ain´t me babe
-i´ll keep it with mine
-like a rolling stone
-dirge
-if you see her say hello
-i´ll keep it with mine
-like a rolling stone
-dirge
-if you see her say hello
...the promise of indulgence in my confidential voice approached inmortal danger but you´ll never know how close....
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- so lacklustre
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- bambooneedle
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my brain hurts
It's just too hard.
- Otis Westinghouse
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- bambooneedle
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For more essential Dylan, check out:
Early Period:
If you want cutting and lucid narrative-style songwriting, John Wesley Harding and The Times They're A-Changin' (that one, obviously more folk). Brilliant songwriting, where not a breath is wasted. They're all great, except you'd probably enjoy "Bob Dylan" (his debut) the least from this period.
If you want some surreal imagery and existential angst, Another Side Of Bob Dylan reveals the transition between folkie and that best. You can feel the excitement as he's stretching himself creatively finding new ground, and he just has to get it out. It was all recorded within a couple of days and sounds very fresh and live. Bringing It All Back Home is kind of between Blonde On Blonde and Highway 61 Revisited, in style, and is definitely essential.
Middle Period: I love New Morning ('71. Well, post motorcycle accident and the initial burst.), it sounds particularly carefree and spontaneous. The Basement Tapes were released in '75 (recorded '67, with The Band) -- I've got it on vinyl and after a few listens it still hasn't grabbed me they way it grabs a lot of Dylan fans... I'll have to pull it out again. You might consider getting the recently released Bootleg Series Rolling Thunder Review CD set, which I haven't yet got, but lots of rave reviews (I do have other live albums from this period -- Real Live, Hard Rain, Down In The Flood -- but apparently they're not as good). You're pretty well covered with BOTT and Desire. I also like Planet Waves (73) and Street Legal (78.) but these don't really compare with those.
Later Middle Period: Slow Train Coming (79) is the best of the so-called 'Christian period', if you're inclined to check it out. Many of the 80's ones suffer from dodgy production and unevenness. The best of them are Infidels (83) and particularly, Oh Mercy (89, produced with Daniel Lanois, noted for his work with U2... and a shit-hot guitarist in his own right I might add.)
Other than these, get Love and Theft. Bob Dylan Unplugged (95), I would also highly recommend and, and once you've rounded out your collection, you might also consider The Bootleg Series Vol 1-3 ('91. 3cd box).
Early Period:
If you want cutting and lucid narrative-style songwriting, John Wesley Harding and The Times They're A-Changin' (that one, obviously more folk). Brilliant songwriting, where not a breath is wasted. They're all great, except you'd probably enjoy "Bob Dylan" (his debut) the least from this period.
If you want some surreal imagery and existential angst, Another Side Of Bob Dylan reveals the transition between folkie and that best. You can feel the excitement as he's stretching himself creatively finding new ground, and he just has to get it out. It was all recorded within a couple of days and sounds very fresh and live. Bringing It All Back Home is kind of between Blonde On Blonde and Highway 61 Revisited, in style, and is definitely essential.
Middle Period: I love New Morning ('71. Well, post motorcycle accident and the initial burst.), it sounds particularly carefree and spontaneous. The Basement Tapes were released in '75 (recorded '67, with The Band) -- I've got it on vinyl and after a few listens it still hasn't grabbed me they way it grabs a lot of Dylan fans... I'll have to pull it out again. You might consider getting the recently released Bootleg Series Rolling Thunder Review CD set, which I haven't yet got, but lots of rave reviews (I do have other live albums from this period -- Real Live, Hard Rain, Down In The Flood -- but apparently they're not as good). You're pretty well covered with BOTT and Desire. I also like Planet Waves (73) and Street Legal (78.) but these don't really compare with those.
Later Middle Period: Slow Train Coming (79) is the best of the so-called 'Christian period', if you're inclined to check it out. Many of the 80's ones suffer from dodgy production and unevenness. The best of them are Infidels (83) and particularly, Oh Mercy (89, produced with Daniel Lanois, noted for his work with U2... and a shit-hot guitarist in his own right I might add.)
Other than these, get Love and Theft. Bob Dylan Unplugged (95), I would also highly recommend and, and once you've rounded out your collection, you might also consider The Bootleg Series Vol 1-3 ('91. 3cd box).
Mr. Boom! Will wonders never cease... Just seeing your name conjurs an image of 3-D glasses.
I am more or less an ignoramus when it comes to Dylan, I mean, I know bits and pieces and all the obvious stuff, but I feel like I need a sabbatical to catch up. Same with Tom Waits. So all this is terribly helpful. Now, if only someone could give me a paid month off to immerse myself... preferably in a New York hotel or a cabin in southern Utah, or a villa in Spain or something...
I am more or less an ignoramus when it comes to Dylan, I mean, I know bits and pieces and all the obvious stuff, but I feel like I need a sabbatical to catch up. Same with Tom Waits. So all this is terribly helpful. Now, if only someone could give me a paid month off to immerse myself... preferably in a New York hotel or a cabin in southern Utah, or a villa in Spain or something...
- so lacklustre
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- Otis Westinghouse
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- Boy With A Problem
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I'm really looking forward to the "Desire" remaster. The sound on the release I have is horrible. Without bonus tracks, it's going to be hard to justify replacing all of my Dylan discs. "Desire" for some reason, is particularly poor, especially "Joey". They're remastering all of his Columbia lps, correct?
Columbia did an awful job with all the catalogs - compare the sound on the initial cd releases of EC to the latter Ryko and Rhino.
Columbia did an awful job with all the catalogs - compare the sound on the initial cd releases of EC to the latter Ryko and Rhino.
- bambooneedle
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So Lacklustre wrote:Agree with most of what you said B, but imo BDU is dreadful.Bob Dylan Unplugged (95), I would also highly recommend
SoL, was it the sound of that slide guitar, or what?Otis Westinghouse wrote:I heard Oh Mercy only once. That was enough.
Otis, may I ask, why?
Just curious to see what you have to say... I really like both (albums).
Btw Otis, do you mean the Idiot Wind from The Bootleg Series Vol 1-3? Listened to it last night, and it's a slower version -- it's bittersweet, more resigned, and has classic Dylan harmonica towards the end. But I, also, much prefer the one on Blood On The Tracks. It'd be hard to beat it.
http://www.sonyclassics.com/masked/home.html -- All about Masked And Anonymous, in which Bob will appear.
- King Hoarse
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I couldn't decide on a top 5, so here's what's on my list for a comp tape I'm planning:
1. When I Paint My Masterpiece (from Renaldo & Clara)
2. Isis (live '75, Rob Stoner's wild bass a big contributor)
3. Visions Of Johanna (Blonde On Blonde)
4. Shelter From The Storm (Hard Rain)
5. Girl From The North Country (Freewheeling and nowhere else! It's the sound and intimacy of that version that does it)
6. Tangled Up In Blue (Blood On The Tracks)
7. As I Went Out One Morning (John Wesley Harding)
8. Blind Willie McTell (Bootleg Series)
9. High Water (Love & Theft)
10. Not Dark Yet (Time Out Of Mind)
11. Jokerman (Infidels)
12. What Was It You Wanted? (Oh Mercy, and Willie's version on Across The Borderline is great too)
13. Tombstone Blues (Highway 61 Revisited)
14. Just Like Tom Thumb's Blues (live '66)
15. Idiot Wind (Hard Rain again)
16. Sign On The Window (New Morning)
17. Country Pie (Nashville Skyline)
18. I'm Not There (Basement Tapes outtake)
19. Can't Wait (my tape from Gothenburg 2000)
20. The Groom's Still Waiting At The Altar (Shot Of Love CD)
21. New Pony (Street Legal)
22. Brownsville Girl (Knocked Out Loaded...because someone stole my copy of New Danville Girl before I could decide for sure that one's better...but I think it is)
23. If You See Her Say Hello (Lakeland ´76 bootleg, a rewrite)
24. Blood In My Eyes (World Gone Wrong)
1. When I Paint My Masterpiece (from Renaldo & Clara)
2. Isis (live '75, Rob Stoner's wild bass a big contributor)
3. Visions Of Johanna (Blonde On Blonde)
4. Shelter From The Storm (Hard Rain)
5. Girl From The North Country (Freewheeling and nowhere else! It's the sound and intimacy of that version that does it)
6. Tangled Up In Blue (Blood On The Tracks)
7. As I Went Out One Morning (John Wesley Harding)
8. Blind Willie McTell (Bootleg Series)
9. High Water (Love & Theft)
10. Not Dark Yet (Time Out Of Mind)
11. Jokerman (Infidels)
12. What Was It You Wanted? (Oh Mercy, and Willie's version on Across The Borderline is great too)
13. Tombstone Blues (Highway 61 Revisited)
14. Just Like Tom Thumb's Blues (live '66)
15. Idiot Wind (Hard Rain again)
16. Sign On The Window (New Morning)
17. Country Pie (Nashville Skyline)
18. I'm Not There (Basement Tapes outtake)
19. Can't Wait (my tape from Gothenburg 2000)
20. The Groom's Still Waiting At The Altar (Shot Of Love CD)
21. New Pony (Street Legal)
22. Brownsville Girl (Knocked Out Loaded...because someone stole my copy of New Danville Girl before I could decide for sure that one's better...but I think it is)
23. If You See Her Say Hello (Lakeland ´76 bootleg, a rewrite)
24. Blood In My Eyes (World Gone Wrong)
What this world needs is more silly men.
- King Hoarse
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- Who Shot Sam?
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That's a tough one. Here are my faves, and a few that narrowly miss the cut...
1. Simple Twist of Fate
2. Masters of War
3. Girl from the North Country
4. Idiot Wind
5. Ballad of a Thin Man
Missing the cut...
Visions of Johanna
It's All Over Now, Baby Blue
Tangled Up in Blue
Desolation Row
This is a nearly impossible exercise. I could have picked another 50 or so tracks that are absolutely essential.
1. Simple Twist of Fate
2. Masters of War
3. Girl from the North Country
4. Idiot Wind
5. Ballad of a Thin Man
Missing the cut...
Visions of Johanna
It's All Over Now, Baby Blue
Tangled Up in Blue
Desolation Row
This is a nearly impossible exercise. I could have picked another 50 or so tracks that are absolutely essential.
Mother, Moose-Hunter, Maverick
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My number one is Desolation Row, which is 11 minutes of sheer brilliance.
Also :
- Like A Rolling Stone
- My Back Pages (though I prefer The Byrds' version)
- I Want You
- It Ain't Me Babe
- Tangled Up In Blue
- Idiot Wind
- Lily, Rosemary And The Jack Of Hearts
- Just Like A Woman
- Just Like Tom Thumb's Blues
- Not Dark Yet
The list could go on and on ....
Also :
- Like A Rolling Stone
- My Back Pages (though I prefer The Byrds' version)
- I Want You
- It Ain't Me Babe
- Tangled Up In Blue
- Idiot Wind
- Lily, Rosemary And The Jack Of Hearts
- Just Like A Woman
- Just Like Tom Thumb's Blues
- Not Dark Yet
The list could go on and on ....
If you don't know what is wrong with me
Then you don't know what you've missed
Then you don't know what you've missed
- VonOfterdingen
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- King Hoarse
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It's absolutely crucial that you buy the remastered Street Legal if you go for that one. The sound of the analog to digital CD is awfully muddled. And I hear the best improvement on the later batch of remasters (none of which I've bought) is Another Side of Bob Dylan, which is another great record, of course.
Street Legal ranked:
*****
1. Changing Of The Guards
2. Where Are You Tonight? (Journey Through Dark Heat)
3. Señor (Tales Of Yankee Power)
4. New Pony (I bought SL remastered because they played this over and over in the store for at least half an hour)
****
5. Is Your Love In Vain?
6. Baby Stop Crying (almost sounds like he's trying to write a Van song here)
*** (these two, though not great, are REALLY FUNNY despite the subject matter)
7. We Better Talk This Over
8. True Love Tends To Forget
**
9. No Time To Think (some good lines, especially the one about killing the traitor later, but three of the ten or so verses would have sufficed, and the tune wouldn't have been as tiresome)
Street Legal ranked:
*****
1. Changing Of The Guards
2. Where Are You Tonight? (Journey Through Dark Heat)
3. Señor (Tales Of Yankee Power)
4. New Pony (I bought SL remastered because they played this over and over in the store for at least half an hour)
****
5. Is Your Love In Vain?
6. Baby Stop Crying (almost sounds like he's trying to write a Van song here)
*** (these two, though not great, are REALLY FUNNY despite the subject matter)
7. We Better Talk This Over
8. True Love Tends To Forget
**
9. No Time To Think (some good lines, especially the one about killing the traitor later, but three of the ten or so verses would have sufficed, and the tune wouldn't have been as tiresome)
What this world needs is more silly men.
- strangerinthehouse
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