Finally, someone who appreciates great literature!Otis Westinghouse wrote:Eeeh, th'art good cunt.
books, books, books
- miss buenos aires
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Well you could have a very good drunken game of 'let's see who can find the most outrageous line in the whole book'. If you compare it to the earlier classics like The Rainbow or Women in Love, it's pretty much lapsed into self-parody. I'd like to return to Sons and Lovers, was very taken with that as a 17 year-old, and think I'd enjoy it again now. Very vivid.
There's more to life than books, you know, but not much more
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Well, I'm not afraid to say "The Pickwick Papers" is one of my all-time favourite books. Actually, it's high time I read it again !miss buenos aires wrote:Now I'm reading "Dombey and Son" by the great Charles Dickens, whom I have no doubt that you will all pooh-pooh for being "sentimental" or "verbose" or "incapable" of "imagining" a "female character" with any "depth" or "complexity." Well, I love Dickens and I'm not afraid to say it!
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Sounds like the standard accusation levelled at both Elvis Costello and Martin Amis, both of whom have significant things in common with Dickens.miss buenos aires wrote:"verbose" or "incapable" of "imagining" a "female character" with any "depth" or "complexity."
There's more to life than books, you know, but not much more
Just caught up to this Dickens discussion..... mark me down as a fanatic. If they had had a "Charles Dickens Fan Forum" in the 19th century, I'd have been a charter member. I tend to read two or three Dickens in a row, and the leave it be for a year or so. Great Expectations and A Tale of Two Cities are two of my all time favorite novels from any era. My most recent were the aforementioned Dombey and Son and before that, Bleak House. I probably preferred Bleak House, but they were both terrific. The Pickwick Papers is one of the funniest novels ever written.
- Otis Westinghouse
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Another Dicken's lover here! There is something to be said for melodrama, broad comedy and vivid characterization.
"Lady Chatterly" on the other hand, is a big wank -- and not in a good way. Was also irratitated by its luddite anti-semitism -- thought my next Dickens is "Oliver Twist" which I'm going to try and read before Roman Polanski's new film of it gets released this Fall.
"Lady Chatterly" on the other hand, is a big wank -- and not in a good way. Was also irratitated by its luddite anti-semitism -- thought my next Dickens is "Oliver Twist" which I'm going to try and read before Roman Polanski's new film of it gets released this Fall.
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I saw "Tess" in film school and...loved it! (Well, most of it.) Haven't read the book, though.
Sorry, bigtime Polanski fan here. (Well, maybe not "Knife in the Water" and "Fearless Vampire Killers" is pretty uneven....)
Sorry, bigtime Polanski fan here. (Well, maybe not "Knife in the Water" and "Fearless Vampire Killers" is pretty uneven....)
http://www.forwardtoyesterday.com -- Where "hopelessly dated" is a compliment!
Well, to be honest I haven't read the book either, and perhaps my beef is as much with the book as the film, I don't know. I saw it when it came out and felt I was being absolutely bludgeoned with symbolism-with-a-capitol-S; perhaps I was too fresh off a lit degree but it just seemed like over-obvious pap.
Also I saw Le Locataire while living in France, and all I remember was thinking "damn that's a beautiful apartment complex" and "is that it?". As evocatively weeping wallpaper goes I much prefer Barton Fink.
Also I saw Le Locataire while living in France, and all I remember was thinking "damn that's a beautiful apartment complex" and "is that it?". As evocatively weeping wallpaper goes I much prefer Barton Fink.
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Mug, the book could be described as a little heavy on the Symbolism, but I loved it. Of course, I read it when I was sixteen, but I'm sure I would still love it, because I love Hardy, even though I thought the last few pages of my copy of "The Return of the Native" had gone missing, because he had actually gone ahead and left them happy.
Well, I'm more tolerant of that sort of thing in a long, pleasantly languorous novel than in a film, which is by necessity compressed. I was certainly at the height of my aesthetic snobbery at the time (it's so hard not to feel you know everything when you're $40K in debt due to your education) but I just recall the moment where some abstract word appears in orange paint on a wooden railing (can't recall what, but it was clearly The Meaning Of The Story) and thinking, Oh, this just takes the cake. We already got it half an hour ago, without having to have it literally spelled out for us. In orange!!
Actually don't remember any symbolism at all in "Tess" -- that's the sort of thing I never look for in movies, and I'm irritated if I think I'm supposed to notice it much, so I grok your complaint in a way.
"La Locataire" = "The Tenant" I presume! I'm pretty sure it was an influence on "Barton Fink" (which I have mixed feelings about) but I prefer(ed) the Polanski take.
Actually, though, "The Tenant" is usually looked at as a sort of riff on "Rear Window". I love it -- though not anywhere near as much as "Rear Window"
"La Locataire" = "The Tenant" I presume! I'm pretty sure it was an influence on "Barton Fink" (which I have mixed feelings about) but I prefer(ed) the Polanski take.
Actually, though, "The Tenant" is usually looked at as a sort of riff on "Rear Window". I love it -- though not anywhere near as much as "Rear Window"
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