Revenge of the Sith
- VonOfterdingen
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Revenge of the Sith
Anyone seen it? I saw it yesterday and i was thrilled. Some critic from Baltimore Sun called it a Pop-Masterpiece, which imo is a saying verdict.
Pretty tough stuff in it as well
Pretty tough stuff in it as well
I'm not buying my share of souvenirs
- Jackson Monk
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- VonOfterdingen
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- Boy With A Problem
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I saw Star Wars around when it first came out but I haven't seen any of the sequels. I'm kind of proud of that and I'm not sure why. I did read a review today in the Daily Mail (free on the plane) that savaged Sith for the crummy acting and the poor writing.
Everyone just needs to fuckin’ relax. Smoke more weed, the world is ending.
For what it's worth, A.O. Scott said the only one better of the entire saga was Revenge of the Jedi. We shall see...
[Whoops that was a brain fart-- he said the only one better was Empire Strikes Back. Revenge of the Jedi is not even the name of one of the movies]
[Whoops that was a brain fart-- he said the only one better was Empire Strikes Back. Revenge of the Jedi is not even the name of one of the movies]
Last edited by selfmademug on Fri May 20, 2005 3:57 pm, edited 1 time in total.
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- SoLikeCandy
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Went to a midnight showing. The visuals are stunning, and the story itself is well conceived. However, as a fellow nerd friend of mine said, "it would have been a perfect movie if it weren't for the sounds coming out of the actors' mouths that were supposed to be words."
George Lucas has the mind of a genius for action, and the mind of a porn movie writer when it comes to dialogue. Only Yoda is supposed to sound goofy, right? I can't remember all of the many, many cheesy ass lines, but my boyfriend and I were glared at by fanboys from all sides for giggling like 4-year-olds at lines like, "my love can't save her. Only my new powers can!", or, the best thing ever, the newly helmeted Darth Vader finding out his wife is dead, and screaming "NOOOOOOOOOOO!", cop-who-just-lost-a-partner-style.
Still, one of the best movies I've seen in the theatre all year.
(I've only seen three.)
George Lucas has the mind of a genius for action, and the mind of a porn movie writer when it comes to dialogue. Only Yoda is supposed to sound goofy, right? I can't remember all of the many, many cheesy ass lines, but my boyfriend and I were glared at by fanboys from all sides for giggling like 4-year-olds at lines like, "my love can't save her. Only my new powers can!", or, the best thing ever, the newly helmeted Darth Vader finding out his wife is dead, and screaming "NOOOOOOOOOOO!", cop-who-just-lost-a-partner-style.
Still, one of the best movies I've seen in the theatre all year.
(I've only seen three.)
If there's one thing you can say about mankind--there's nothing kind about man
Yeah, it was by far the best of the prequels - returned a bit of magic to the series, but still had its faults - Vader pulling out of his wrist cuffs and stomping around like Frankenstein screaming NOOOO WAS pretty funny - but it has its great moments - and I found it even quite moving in parts - an emotion I never expected.
echos myron like a siren
with endurance like the liberty bell
and he tells you of the dreamers
but he's cracked up like the road
and he'd like to lift us up, but we're a very heavy load
with endurance like the liberty bell
and he tells you of the dreamers
but he's cracked up like the road
and he'd like to lift us up, but we're a very heavy load
I think it was atrocious. The ending was very powerful, but by the time it got there I was bored to death and the depressing finale only ruined my mood.
I loved Episode II, however. I don't understand how/why people look down on it as they do. Seems like people's initial reactions change easily when they read what the rest of the world is saying.
I loved Episode II, however. I don't understand how/why people look down on it as they do. Seems like people's initial reactions change easily when they read what the rest of the world is saying.
Oy with the poodles, already!
The montage sequence where the Jedi knights are slaughtered is a perfect example of how the second series of Star Wars films has managed to drop the ball in the storytelling department. What should have had an epic, tragic sweep (its the downfall of the Republic!) is rendered mute because, other than Sam Jackson's dull as dirt Mace Windu, we've been given no opportunity to learn anything about these Jedi knights who we are suddenly asked to care about. In some cases, I don't remember seeing any of them until they were killed so there is no resonance for the audience with these assassinations. It also struck me as interesting how this sequence is pretty clearly patterned after the famous baptism massacre in The Godfather except that, with Coppola's film, we had been introduced to the people being murdered and knew them as characters so that their death had real impact as we were seeing half the primary cast getting whacked in one fell swoop.
Another Godfather parallel is the challenge of casting a new actor to play an iconic figure and watching where one (DeNiro as young Vito Corleone) succeeds brilliantly where the other (Christensen as The Man Who Became Vader) fails miserably. I assign no blame to the actor who has proven himself to be very good in other films (Life As A House, Shattered Glass, etc.) and put all of it on the godawful scripts that retroactively tarnish a great villain's menace by showing him as an annoyingly precocious little boy, an unbelievably annoying (and profoundly creepy) teenager and, finally, a one-note sulk whose relationship with Padme (poor, stranded Natalie Portman) is something that we are asked to believe is a galaxy-defying love affair when what we actually see and hear more closely resembles outtakes from the Britney Spears & Kevin Federline reality tv show. Hard-wiring Anakin's descent with the weakest aspect of the film's story makes it hard to buy into this poor man's Prince Hal or his dilemma. At no point in the film does this mopey, petulant tool give off one iota of the gravitas required to be convincing as the future Darth Vader.
The movie does have its many bright spots though unlike Phantom Menace and Attack of The Clones which you just about have to scower to find anything redeemable in either of them. Clones, in particular, is on my short list for worst major motion picture of all time. Anyway, Ewan MacGregor does really nice work as Obi Wan and his reaction to Anakin's turn almost makes up for the flatness of how the betrayal was staged in the first place. Ian McDiarmid, who plays Chancellor Palpatine/Darth Sidious, has the best material to work with as he seduces Young Indiana Skywalker by counterarguing those stick-in-the-mud Jedis with their joyless commitment to duty and self-sacrifice. Unfortunately, once Palpatine is deformed in his battle against Windu, the script requires McDiarmid to go a little too over the top and that's when it gets a bit giggly with the Emperor's scenery-chewing theatrics.
I'm not a big fan of green screen films in general but this one managed to work fairly well in terms of giving audiences these amazing visuals while making them seem fairly convincing as real things happening on the screen. One thing I miss about the pre-CGI (or whatever they're calling it) days is the sheer physicality of watching something actually happening in front of you. Even in lesser films, watching cars smack into each other, real buildings exploding, actors actually jumping (sans wire fu) across tables on to other actors....these things had real cause & effect which is something that I find missing from films like this or Sin City no matter how stunning they might be from a technical standpoint.
Another Godfather parallel is the challenge of casting a new actor to play an iconic figure and watching where one (DeNiro as young Vito Corleone) succeeds brilliantly where the other (Christensen as The Man Who Became Vader) fails miserably. I assign no blame to the actor who has proven himself to be very good in other films (Life As A House, Shattered Glass, etc.) and put all of it on the godawful scripts that retroactively tarnish a great villain's menace by showing him as an annoyingly precocious little boy, an unbelievably annoying (and profoundly creepy) teenager and, finally, a one-note sulk whose relationship with Padme (poor, stranded Natalie Portman) is something that we are asked to believe is a galaxy-defying love affair when what we actually see and hear more closely resembles outtakes from the Britney Spears & Kevin Federline reality tv show. Hard-wiring Anakin's descent with the weakest aspect of the film's story makes it hard to buy into this poor man's Prince Hal or his dilemma. At no point in the film does this mopey, petulant tool give off one iota of the gravitas required to be convincing as the future Darth Vader.
The movie does have its many bright spots though unlike Phantom Menace and Attack of The Clones which you just about have to scower to find anything redeemable in either of them. Clones, in particular, is on my short list for worst major motion picture of all time. Anyway, Ewan MacGregor does really nice work as Obi Wan and his reaction to Anakin's turn almost makes up for the flatness of how the betrayal was staged in the first place. Ian McDiarmid, who plays Chancellor Palpatine/Darth Sidious, has the best material to work with as he seduces Young Indiana Skywalker by counterarguing those stick-in-the-mud Jedis with their joyless commitment to duty and self-sacrifice. Unfortunately, once Palpatine is deformed in his battle against Windu, the script requires McDiarmid to go a little too over the top and that's when it gets a bit giggly with the Emperor's scenery-chewing theatrics.
I'm not a big fan of green screen films in general but this one managed to work fairly well in terms of giving audiences these amazing visuals while making them seem fairly convincing as real things happening on the screen. One thing I miss about the pre-CGI (or whatever they're calling it) days is the sheer physicality of watching something actually happening in front of you. Even in lesser films, watching cars smack into each other, real buildings exploding, actors actually jumping (sans wire fu) across tables on to other actors....these things had real cause & effect which is something that I find missing from films like this or Sin City no matter how stunning they might be from a technical standpoint.
Last edited by El Vez on Fri May 20, 2005 7:16 pm, edited 5 times in total.
Haven't seen it yet, but I feel EXTREMELY safe in saying that, for Space Opera, "Serenity" (which I haven't seen either) will be better. Proably a lot better. Probably a lot, lot better.
(If you don't know what "Serenity" is at this point, you have just haven't been listening to me!)
(If you don't know what "Serenity" is at this point, you have just haven't been listening to me!)
http://www.forwardtoyesterday.com -- Where "hopelessly dated" is a compliment!
They showed the trailer for Serenity and, I must say, it did look pretty damn good. The trailer was set up like another other special effects laden actioner but the quirkiness of the characters and the dialogue managed to come through even in the bombast required in order to make an impression in a one minute spot.
Interesting that they're showing it with "Sith" down El Vez's way. People on the Whedonesque web site in places back east and here in So Cal have been complaining of not seeing it.
And yeah, it's a very effective trailer, though I'm hoping the "I aim to misbehave" line plays better in context.
And yeah, it's a very effective trailer, though I'm hoping the "I aim to misbehave" line plays better in context.
http://www.forwardtoyesterday.com -- Where "hopelessly dated" is a compliment!
- Jackson Monk
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Saw it last night and found it very satisfying. Many flaws, as pointed out in above posts, but for someone who has been on the ride since 1977, it put things in a pretty neat package as far as I was concerned. Definitely like it MUCH more than the first two prequels, especially Phantom Menace, which I rank at the bottom of the Star Wars heap. The dialogue was terrible as usual, but then I remembered that this was an epic space sword and sorcery flick, and so dialogue was of less a concern to me than it would be in, say, Sophie's Choice. I felt very satisfied at the end when Sidious and Vader are gazing at the Death Star in progress, surrounded by guys in identical uniforms to the Empire lackeys in the original film. And did you see the young Peter Cushing look alike exit stage left as they came into that shot? Neatly done.
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- noiseradio
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I liked it a lot. It's flawed, deeply in places. SLC nailed the problem with Darth screaming "Nooooo!" But I still thought it was the best since Empire. Though that's admitedly not saying much.
Only one thing could have made the slaughter of the younglings scene better: If Anakin had started whistling "Singin' in the Rain."
Only one thing could have made the slaughter of the younglings scene better: If Anakin had started whistling "Singin' in the Rain."
"There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."
--William Shakespeare
--William Shakespeare
This has to be seen to be believed...
http://www.storewars.org/flash/index.html
"That's not a moon.... it's a melon!"
http://www.storewars.org/flash/index.html
"That's not a moon.... it's a melon!"
- mood swung
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- oily slick
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She's actually doing that on this theater on La Cienega. The opening act is Kenneth Branagh reading the yellow pages.
http://www.forwardtoyesterday.com -- Where "hopelessly dated" is a compliment!
- ReadyToHearTheWorst
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- ReadyToHearTheWorst
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Now that the Republic is under new management, perhaps they'll address the appalling Health & Safety record found throughout the Galaxy.
At the very least, better signage is required at street level (e.g. 'Danger, Falling Jedi'), but preferably more fences and railings (or at least finger holds) around the edges of the myriad suspended platforms found on every planet.
Other issues that need serious consideration include - hand gun control (e.g. no light sabre's over 30 watts), welfare reform (esp. for the poor widows of the many fallen Stormtrooper heroes), and compulsory acting lessons.
Only then can the Emperor claim to be serious about 'peace in the Galaxy'.
BTW does anyone else agree that:
- after his Windo facial, the Emperor looks like Snow White's evil stepmother?
- Ja Ja Binks was mercifully speechless?
- 'order 66' is actually Sweet & Sour Chicken, Hong Kong Style?
At the very least, better signage is required at street level (e.g. 'Danger, Falling Jedi'), but preferably more fences and railings (or at least finger holds) around the edges of the myriad suspended platforms found on every planet.
Other issues that need serious consideration include - hand gun control (e.g. no light sabre's over 30 watts), welfare reform (esp. for the poor widows of the many fallen Stormtrooper heroes), and compulsory acting lessons.
Only then can the Emperor claim to be serious about 'peace in the Galaxy'.
BTW does anyone else agree that:
- after his Windo facial, the Emperor looks like Snow White's evil stepmother?
- Ja Ja Binks was mercifully speechless?
- 'order 66' is actually Sweet & Sour Chicken, Hong Kong Style?
"I'm the Rock and Roll Scrabble champion"